NEW TERRITORIES IN THE SCENE
Soft cover, 21 x14, 316 pages, ISBN: 978-84-18119-80-4
This volume, the fourth of the series Circuits theatre of the TWENTY-first century, derives from the current of the digital humanities and in him we analyze, from a global perspective, the impact of the technological revolution and the social framework in the theater contemporary. In the introduction, the editors propose a first reflection on the technology as a framework, the medium and the subject of theatre studies. The volume is divided into five chapters that include diverse works whose common thread is the study of theatre in relation to their environment. The first focuses on the territory and the influence that it exerts on the theatre: teatro argentino —Maurico Tossi—; theatre festivals in Spain —Carmen González—; theater in Antarctica —Ellen Frye—; Italian theater and funding —Matteo Paoletti—; a case study of creation between cultures starring Irina Kouberskaya —Patricia Almarcha—; and the peruvian theatre —Rolando C. Reano—. The second chapter deals with the theatre and its relationship with the university environment through four case studies: Roberto Danese, Alfredo Miralles, Paul F. Santa Cecilia, Maria Juarez and Guillermo Jury. The third reflects on the publishing market of the theatre in the Community of Madrid —Mar Rebollo, Ana Isabel Labra and Esther Laso and Leon; and the dramatic literature —Jose Corrales—. The fourth chapter shows the potential of an approach to the study of the theater based on the new technologies and the digital humanities with two jobs, July Vélez and Rosa Aviles. And the fifth and last chapter, delves, through five studies, in the transmedialidad in the performing arts and how this narrow understanding between languages apparently far has favored the connection with reality, and the approach to the spectator —Diego Palacio and Joseph M. Teira, Fernando Pérez-Sañudo, Ana Sedeño, Amelia Ibarz and Mary Caudevilla—.