{"id":951,"date":"2020-02-23T11:52:49","date_gmt":"2020-02-23T11:52:49","guid":{"rendered":"https:\/\/mariacaudevilla.com\/?page_id=951"},"modified":"2024-10-29T14:45:06","modified_gmt":"2024-10-29T14:45:06","slug":"tesis_doctoral","status":"publish","type":"page","link":"https:\/\/mariacaudevilla.com\/en\/tesis_doctoral\/","title":{"rendered":"PhD"},"content":{"rendered":"<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"644\" height=\"846\" data-id=\"953\" src=\"https:\/\/mariacaudevilla.com\/wp-content\/uploads\/2024\/02\/tesis_doctoral_maria_caudevilla.jpg\" alt=\"\" class=\"wp-image-953\" srcset=\"https:\/\/mariacaudevilla.com\/wp-content\/uploads\/2024\/02\/tesis_doctoral_maria_caudevilla.jpg 644w, https:\/\/mariacaudevilla.com\/wp-content\/uploads\/2024\/02\/tesis_doctoral_maria_caudevilla-228x300.jpg 228w\" sizes=\"(max-width: 644px) 100vw, 644px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"> <\/figcaption><\/figure>\n\n\n\n<p> The object of this analysis focuses on the role plays, multimedia theatre director british Katie Mitchell, from&nbsp;<em>Waves&nbsp;<\/em>(2006) to<em>&nbsp;La Maladie de la Mort<\/em>&nbsp;(2018). The interest lies in the derivation of an established theater career towards the use of the language of film and audiovisual resources in the scene. The main objective has been to analyze the drama of the image in the 13 multimedia montages from the director in order to offer a more personal approach to his unique poetic and illustrate its contribution to the Performing Arts. In the scenario brings together elements of diverse origins, those to the realization of a film production with other more typical of the traditional performing art; the one and the other are geared to convey the underlying ideas in the text, dramatic and transform the drama in the show. The shaft of the research focuses specifically on this exchange of languages and its influence on the process of theatrical creation.<\/p>\n\n\n\n<div class=\"wp-block-button aligncenter\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/mariacaudevilla.com\/wp-content\/uploads\/2024\/02\/T41978.pdf\">VIEW PDF<\/a><\/div>","protected":false},"excerpt":{"rendered":"<p>El objeto de este an\u00e1lisis se centra en las escenificaciones multimedia teatrales de la directora brit\u00e1nica Katie Mitchell, desde&nbsp;Waves&nbsp;(2006) hasta&nbsp;La Maladie de la Mort&nbsp;(2018). El inter\u00e9s radica en la derivaci\u00f3n de una consolidada carrera teatral hacia el uso del lenguaje cinematogr\u00e1fico y de los recursos audiovisuales en la escena. El objetivo principal ha sido analizar [&hellip;]<\/p>","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-cover.php","meta":{"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Tesis Doctoral - Maria Caudevilla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mariacaudevilla.com\/en\/tesis_doctoral\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tesis Doctoral - Maria Caudevilla\" \/>\n<meta property=\"og:description\" content=\"El objeto de este an\u00e1lisis se centra en las escenificaciones multimedia teatrales de la directora brit\u00e1nica Katie Mitchell, desde&nbsp;Waves&nbsp;(2006) hasta&nbsp;La Maladie de la Mort&nbsp;(2018). El inter\u00e9s radica en la derivaci\u00f3n de una consolidada carrera teatral hacia el uso del lenguaje cinematogr\u00e1fico y de los recursos audiovisuales en la escena. El objetivo principal ha sido analizar [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mariacaudevilla.com\/en\/tesis_doctoral\/\" \/>\n<meta property=\"og:site_name\" content=\"Maria Caudevilla\" \/>\n<meta property=\"article:modified_time\" content=\"2024-10-29T14:45:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/mariacaudevilla.com\/wp-content\/uploads\/2024\/02\/tesis_doctoral_maria_caudevilla.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/mariacaudevilla.com\/tesis_doctoral\/\",\"url\":\"https:\/\/mariacaudevilla.com\/tesis_doctoral\/\",\"name\":\"Tesis Doctoral - Maria Caudevilla\",\"isPartOf\":{\"@id\":\"https:\/\/mariacaudevilla.com\/#website\"},\"datePublished\":\"2020-02-23T11:52:49+00:00\",\"dateModified\":\"2024-10-29T14:45:06+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/mariacaudevilla.com\/tesis_doctoral\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/mariacaudevilla.com\/tesis_doctoral\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/mariacaudevilla.com\/tesis_doctoral\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/mariacaudevilla.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Tesis Doctoral\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/mariacaudevilla.com\/#website\",\"url\":\"https:\/\/mariacaudevilla.com\/\",\"name\":\"Maria Caudevilla\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/mariacaudevilla.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Tesis Doctoral - Maria Caudevilla","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/mariacaudevilla.com\/en\/tesis_doctoral\/","og_locale":"en_US","og_type":"article","og_title":"Tesis Doctoral - Maria Caudevilla","og_description":"El objeto de este an\u00e1lisis se centra en las escenificaciones multimedia teatrales de la directora brit\u00e1nica Katie Mitchell, desde&nbsp;Waves&nbsp;(2006) hasta&nbsp;La Maladie de la Mort&nbsp;(2018). El inter\u00e9s radica en la derivaci\u00f3n de una consolidada carrera teatral hacia el uso del lenguaje cinematogr\u00e1fico y de los recursos audiovisuales en la escena. El objetivo principal ha sido analizar [&hellip;]","og_url":"https:\/\/mariacaudevilla.com\/en\/tesis_doctoral\/","og_site_name":"Maria Caudevilla","article_modified_time":"2024-10-29T14:45:06+00:00","og_image":[{"url":"https:\/\/mariacaudevilla.com\/wp-content\/uploads\/2024\/02\/tesis_doctoral_maria_caudevilla.jpg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/mariacaudevilla.com\/tesis_doctoral\/","url":"https:\/\/mariacaudevilla.com\/tesis_doctoral\/","name":"Tesis Doctoral - Maria Caudevilla","isPartOf":{"@id":"https:\/\/mariacaudevilla.com\/#website"},"datePublished":"2020-02-23T11:52:49+00:00","dateModified":"2024-10-29T14:45:06+00:00","breadcrumb":{"@id":"https:\/\/mariacaudevilla.com\/tesis_doctoral\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/mariacaudevilla.com\/tesis_doctoral\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/mariacaudevilla.com\/tesis_doctoral\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/mariacaudevilla.com\/"},{"@type":"ListItem","position":2,"name":"Tesis Doctoral"}]},{"@type":"WebSite","@id":"https:\/\/mariacaudevilla.com\/#website","url":"https:\/\/mariacaudevilla.com\/","name":"Maria Caudevilla","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/mariacaudevilla.com\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/mariacaudevilla.com\/en\/wp-json\/wp\/v2\/pages\/951"}],"collection":[{"href":"https:\/\/mariacaudevilla.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mariacaudevilla.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mariacaudevilla.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/mariacaudevilla.com\/en\/wp-json\/wp\/v2\/comments?post=951"}],"version-history":[{"count":5,"href":"https:\/\/mariacaudevilla.com\/en\/wp-json\/wp\/v2\/pages\/951\/revisions"}],"predecessor-version":[{"id":959,"href":"https:\/\/mariacaudevilla.com\/en\/wp-json\/wp\/v2\/pages\/951\/revisions\/959"}],"wp:attachment":[{"href":"https:\/\/mariacaudevilla.com\/en\/wp-json\/wp\/v2\/media?parent=951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}